Rata Blanca is my religion Walter Giardino my god! official English Website www.myspace.com date 2009 Album:The Forgotten Kingdom English version 1 the voices of the sea 01:51 2 the forgotten kingdom 05:34 3 endorphins 04:06 4 talisman 05:15 5 ring of fire 04:55 6 diary of a shadow 04:20 7 instruments 04:13 8 guardian of the light 06:07 9 another day passing by 05:43 10 it”s not easy 03:57 11 sons of rock 04:34 12 yesterday today and tomorrow 04:14 Walter Giardino- lead guitar Doogie White – vocals Adrián Barilari- vocals (in spanish) Hugo Bistolfi -Keyboards Fernando scarcella – Drums Guillermo sanchez – bass Rata Blanca – The forgotten Kingdom (“El reino olvidado” versión en INGLES) Después de haber vendido más de 30.000 unidades del disco “El reino Olvidado”, la banda Heavy más importante y reconocida de habla hispana, re-lanza su último disco de estudio, pero con la particularidad de que las canciones estarán cantadas en inglés. “THE FORGOTTEN KINGDOM” Para este nuevo emprendimiento el grupo contó con la participación del escocés Doggie White: uno de los más talentosos y respetados cantantes de rock de Escocia. Colaboró con leyendas del rock de guitarras como Ritchie Blackmore en Rainbow su talento es altamente reconocido tanto por las bandas como por los fans. En el álbum obra no faltan las composiciones épicas, el más potente Rock and Roll y canciones llenas de fuerza, pasión y melodía. Un disco realmente imperdible e inédito!!! Contará con 3 ediciones: digipack de …
Jack White explains his philosophy about today’s music and plays a short, but awesome piano version of “Sittin’ On Top Of The World”. The clip is from the documentary “It Might Get Loud”. I got a lot of requests for the piano chords of the song. Unfortunately I am not able to transcribe it myself. If anyone can and is willing to share it, message so I can post it here. You will get full credit for your work of course. The chords must cover the whole song (including the mini solo). It’s not hard since it’s a classic blues progression, so a trained ear will find easy to figure it out. I would prefer you to send it in standard notation (with both hands), but any other method is accepted as long as it’s clear:) I DO NOT OWN ANYTHING.
www.nextlevelguitar.com Click thelink above to receive free exclusive videos, newletters, and lots of free guitar and music goodies from Next Level Guitar. In this lesson we teach a common thumb over the top technique and how to embellish chords with it in the style of Jimi Hendrix and many others. Many more full on video lessons at: www.nextlevelguitar.com
A cool, loud and not too shiny reso-mando, folks!!! Perfect for the blues, strong tone that cuts through easily.. It goes very well with my other resonator instruments and my blues, been meaning to have some mandolin tunes on my repertoire! A mandolin from Republic Guitars in Texas.. Played here by Lars Åstrand. Mandolian Specifications: Steel body… 1 7/16″ bone nut… ebony capped maple saddle… adjustable trussrod… shell position markers… mahogany neck… rosewood fretboard… handspun Continental cone… 15 1/4″ scale length.. pearlized veneer headstock… reso-relic finish.
This is 1 of 3 “Track 1 + Track 2″ combos that I have uploaded. The album “Every Good Boy Deserves Favour” is 1 of several albums by the Moody Blues in which the first 2 tracks link together (no pause between songs). It is intended to be heard as if the 2 tracks are only one long song. It doesn’t make sense to listen to the first track without hearing the second afterward, so this video is my way of sharing with you the way this music was intended to be heard. The first 7 albums by the Moody Blues all have songs that connect (with the exception of the last song on side 1 and the first song on side 2). Song Details: “Procession” = It’s a journey through time with music, beginning with creation (“DESOLATION! CREATION!”), transitioning to caveman chants (all band members participating in grunts), then some more familiar instruments. “The Story In Your Eyes” = written by lead singer / guitarist Justin Hayward. NOTE: I’ve found that listening to the “The Procession” with headphones is far more interesting… plus it’s easier to pick up sounds during more quiet parts of the song. Although you might jump when it gets loud all of the sudden! The images in this video is the album artwork (outside and inside). The album is a gatefold design (not limited to the 12X12 LP jacket surface) so that when the album is opened the whole picture is revealed.
Like my fan page on facebook! www.facebook.com I recently made a CD with 4 songs on it, and I’d like to see if people would be interested! www.facebook.com – My name is Nick Fister. This is my own arrangement to the traditional Cannon in D. Be sure to check out my other videos! and Find me on facebook and friend me! Also join my fan page and leave feedback! Be sure to check out my other videos! including requiem for a dream and my Blues/Ben Folds Improvisation! thanks!! Sheet Music- pianotte.szm.com
Band-Switchfoot Song-The Sound (John M Perkins’ Blues) Album-Hello Hurricane Jon Foreman-Vocals, Guitar Tim Foreman-Bass Chad Butler-Drums Jerome Fontamillas-Guitar, Keyboard Drew Shirley-Guitar Lyrics-The Static comes in slow You can feel it grow Our stream of conscience flows Under the streets below Ooooh Ooooh The rivers made of sound Still running underground Runs like a silent flood We run as thick as blood Ooooh Ooooh Can you hear it rise Up from the ground Can’t drown it out Can you hear it now This is the sound of a heartbeat This is the sound from the discontented mouths Of a haunted nation We are the voice of breaking down Can you hear me? This is the sound of the desperation bound By our own collision We are the voice of breaking down The static comes alive Beneath the broken skies John Perkins said it right Love is the final fight Let it rise above Rise above There is no song Louder than love This is the sound of a heartbeat this is the sound from the discontented mouths of a haunted nation we are the voice of breaking down Can you hear me? This is the sound of the desperation bound by our own collision we are the voice of breaking down Down Down Down Can you hear it rise Up from the ground Can’t drown it out Can you hear it now This is the sound of a heartbeat This is the sound of the discontented mouths Of a haunted nation, we are the voice of breaking down Can you hear me This is the sound of the desperation bound by our collision, we are the voice of …
Piano Stories – Episode One: The 1917 Aeolian There’s an interesting trait that all piano technicians who rebuild pianos share. For reasons no one has ever been able to quite explain we all tend to accumulate pianos. It’s almost like they were dust bunnies in the way they somehow manage to pile up. Most of these pianos are well past any form of the word functional. In other words, most of them are junk. A piano rebuilding technician always knows when one of his rebuilding colleagues is in the process of moving their shop, because sooner or later a phone call is made asking if you would like a free piano or two. About four years ago, I received one of those phone calls from a friend and fellow rebuilder by the name of Roy. He asked me if I would like the “Aeolian”. I was familiar with the Aeolian he spoke of; it was a 1917 Baby Grand that was in horrible condition. The piano started life as a player piano, but over the decades since it was built it had long since lost its player unit, along with all of its finish ( and much of the wood beneath it ). Its strings were rusty, its hammers were shot; in fact, every moving part on it was shot. The keytops ,on the other hand, were in perfect conditon; I’ll never figure out how they survived. ” Why would you want this train wreck of a piano ?” you might ask. Well, the story of the Aeolian Piano Company is one of the great rags-to-riches-to-rags stories in American piano lore. In 1913, the Aeolian Company introduced its Duo-Art …
Hi, Summer time is good period for playing guitar. Here is my second recording in two weeks ! A kind of blues. The part with harmonics is a bit tricky. Still need some time to get it smooth. I wrote the theme years ago and finalized the piece this week. Sheet music, Tab & MP3: www.fredericmesnier.com Enjoy! Fred
A mandolin from Republic Guitars in Texas.. Played here by Lars Åstrand. Mandolian Specifications: Steel body… 1 7/16″ bone nut… ebony capped maple saddle… adjustable trussrod… shell position markers… mahogany neck… rosewood fretboard… handspun Continental cone… 15 1/4″ scale length.. pearlized veneer headstock… reso-relic finish.
